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Pink Brings the Fire

Pink in Concert
Friday, June 1, 2018
The Forum

Beautiful Trauma World Tour

Special Guest: DJ Kid CutUp

Merchandise purchased: T-Shirt

Songs performed: Get the Party Started, Beautiful Trauma, Just Like a Pill, Who Knew, Revenge, Funhouse, Just a Girl, Smells Like Teen Spirit, Secrets, Try, Just Give Me a Reason, I’m Not Dead, Just Like Fire, What About Us, For Now, Barbies, I Am Here, Fuckin’ Perfect, Raise Your Glass, Blow Me (One Last Kiss), So What, Glitter in the Air

Comments: Pink brought her world tour behind her 7th studio album — “Beautiful Trauma” — to Southern California in a series of shows at various venues. I was lucky enough to see her this time. I have been a fan since the beginning — when she was seen as a white single version of Destiny’s Child.

This is the third time that I have seen her in concert. The first was in 2002 for the Party Tour in support of her 2nd album. Then she was the opening act for Justin Timberlake in 2007. She was just starting to do the aerial acrobats that she has now become so famous for.

The evening started with “Get the Party Started” — and that she did as she was swinging from a giant chandelier that was above the stage. The stage was shaped like a heart, with walkways, trap doors and a moving central walkway down the middle. She had the party pit like you see at a lot of shows these days. This is closest area to the stage — that has a group of spectators on both sides.

The dancers were all dressed in pink outfits, and delivered hard-hitting choreography and elaborate aerial stunts. The second song was the title track from “Beautiful Trauma” that she had performed on the side of a hotel in a spectacular performance at the American Music Awards in November 2017. It was the first of 7 songs off the new album that she performed that night. She touched on all of her albums other than the first and third albums.

In the lead-up to “Revenge”, a short video was played called Revenge Land.” It featured clay animation couples that were arguing, and then it ended up with half of the couple being killed. It was sort of dark and twisted. The song was performed with a giant blow-up of Eminem (who is her duet partner on the song). One of the balloon handlers was making the mouth move as needed. The song ended with Pink knocking the balloon off of it’s feet.

As I learned from her first tour, she is not afraid of cover songs. She covered No Doubt’s “Just a Girl” as well as Nirvana’s “Smells Like Teen Spirit” in this section. Both were delivered in high-energy vocal performances. She also performed the title track from her album “I’m Not Dead” — this was the biggest surprise of the night, as far as her song catalog. The song was not a single, so I was a little surprised she chose it over the other songs that were hits from that album (U & Ur Hand and Stupid Girls).

For “Secrets”, one of the new songs, she did a dramatic aerial act with a bare-chested male acrobat who was dressed in a blue square-cut swimsuit. It was a very well choreographed. For “Just Like Fire,” she had fire coming up from the back of the stage (fireworks would be released from there duding other parts of the show). It was a spectacular visual.

I also enjoyed her stripped down segment in the middle of the show that featured “Barbies” and “I Am Here.” Both are from the new album. She took us to church on “I Am Here” with the crowd clapping and stomping along to the bluegrass/folksy take on the song.

Before “What About Us” she had a video interlude that showed images of diversity and inclusion, as well as images of struggle and oppression. Her rainbow coalition of dancers and backup singers added to the feeling of the song. There was even a sexy black man in a yellow kilt. A huge part of Pink’s appeal is that she is a misfit, and doesn’t fit the standard of beauty of what a woman should look or act like. She is strong and powerful. She is not afraid to speak her mind and to stand up for what she believes in.

Near the end of the show, she replayed her speech from the MTV awards that talked about her daughter and gender identity. She went on to salute those trailblazers who broke the norm as far as masculine and feminine — people like Michael Jackson, Prince, David Bowie, Janis Joplin and George Michael.

“Raise Your Glass” was given the huge production treatment it deserved with all the dancers and lighting. She saved her most spectacular stunt for “So What” — where Pink was seeing flying all over the arena, on a couple of wires. She was tumbling all over the place — and the crowd was going crazy. She even had a few stands that she could land on near the back of the arena.

She closed the evening out with “Glitter in the Air.” It was the close of an incredible performance from a true artiste. She has the vocals and performance skills to keep us enthralled over the course of an evening — all the while coming across as a regular, relatable woman who is just having some fun. I can’t wait till the show comes out on DVD.

DJ Kid CutUp opened the show with a set filled with a lot of 80’s pop and rock songs, mixed in with some of today’s hits. Thanks to all for a fantastic evening!

KiltManinSoCal is a Los Angeles-based writer and designer. Be sure to check out the latest T-Shirts for sale here, including Marriage Equality and Real Men Wear Kilts lines. They make great gifts for friends, family and loved ones.


Rihanna: ANTI Tour 2016

Rihanna in Concert
Tuesday, May 3, 2016
The Forum

ANTI World Tour 2016

Special guest: Travis Scott


Songs performed: Stay, Love the Way You Lie (Part II), Woo, Sex With Me, Birthday Cake, Pour It Up, Numb, Bitch Better Have My Money, Goodnight Gotham (dance interlude), Consideration, Live Your Life / Run This Town / All of the Lights, Umbrella, Desperado, Man Down, Rude Boy, Work, Take Care, We Found Love / How Deep Is Your Love, Where Have You Been, Needed Me, Same Ol’ Mistakes, Diamonds, FourFiveSeconds, Love on the Brain, Kiss It Better

Comments: Rihanna brought her ANTI world tour to Los Angeles last week for a couple of shows. The tour is named after her 8th studio album, ANTI, which features the number one hit “Work” featuring Drake.

I had last seen Ri-Ri on her Loud tour back in 2011. She’s had more 3 albums and countless hits since then. She started the show with her smash ballad “Stay” — where she was on a small stage on the other side of the arena. She was dressed with a hooded coat over her heard. She also sang her part of “Love the Way You Lie” — her duet w/ Eminem.

From there, Rihanna hopped on a suspended plexiglass catwalk over the crowd, and made her way to the main stage. (I heard that it didn’t work on her 2nd night, and she had to make her way on the floor).

Rihanna is one of my favorite singers of the last 10 years. She has had an incredible run of hit singles since her debut. So that is why I was so upset when the “ANTI” album finally came out, and I didn’t like it. More like hated it. We waited 3 years for this? A moody project with some half-ass songs on it, and no real hits? I guess I am in the minority judging by this show, and the reaction to her new songs. She did a majority of the album in the concert.

“Work,” her duet with Drake, is decent musically, but lyrically it is sort of lame. I never would have predicted it would go to #1. “Kiss It Better” and “Desperado” are the other 2 that are OK, the rest are just not my cup of tea.

The stage was sort of sparse, very clean and fresh looking all in white. The band was lowered for part of the show, but were raised up later in the show. She did perform a medley of her songs with rappers like she did before. So we got “Live Your Life,” “Run This Town,” and “Kill the Lights.” And she also performed her other duet with Drake “Take Care” which is a much better song that “Work.” Unfortunately, Drake was a no-show that night, but I heard he showed up the following night in LA.

She did perform “Umbrella,” “Where Have You Been,” “We Found Love” and “Diamonds.” Those are some of my favorites from her. During “We Found Love” there were giant rainbow blow-ups surrounding the stage, to give the feel of a rave. They looked sort of like caterpillars. It was interesting that she chose some album cuts over hits too, like “Birthday Cake” and “Man Down.”

She had about 4 costume changes in the night. Most of them were in earth tones. They were playful and stylish. The wildest one being a bit of a see-through dress with her privates covered in a body suit covered in spangles and glitter.

Her band, backup singers and dancers all did a great job supporting the star. She is one beautiful woman, with a very distinctive and strong voice. I forgive her for “ANTI,” and I give her props for trying something different. She could have played it safe, but she didn’t and I commend her for it. It was also good to hear “Bitch Better Have My Money” and “FourFiveSeconds” — her hits from 2015.

One interesting side note was the backdrop used during the ending sequence. It was a silver backdrop — with soap bubbles dropping from the ceiling against it. The show ended with the drummer and percussionist looking like they were going to be swallowed up in bubbles.

Opening act Travis Scott’s set was big miss for me. He’s a foul-mouthed rapper, in his performance and when he was talking to. The crowd though ate it all up, so again I am in the minority. Only one song in his set seemed to have a decent beat. He also made his way out into the crowd for one number, and let someone rap a couple of his verses too. The guy did a good job, and Travis even gave him his cap.

Songs I would have loved to have heard in the show: “Pon De Replay,” “SOS,” “Murderer,” “S&M,” “Cheers Drink to That,” “Jump,” “Please Don’t Stop the Music,” “Only Girl in the World” and more.

Thanks to Rihanna and her crew for a good show. Hopefully I will love the album she is touring behind next time!

KiltManinSoCal is a Los Angeles-based writer and designer. Be sure to check out the latest T-Shirts for sale here, including Marriage Equality and Real Men Wear Speedos lines. They make great gifts for friends, family and loved ones.

Madonna: Still the Queen of Pop

Madonna in Concert
Tuesday, October 27, 2015
The Forum

Special guest: Michael Diamond

Rebel Heart Tour

Songs performed: Iconic, Bitch I’m Madonna, Burning Up, Holy Water/Vogue, Devil Pray, Messiah, Body Shop, True Blue, Deeper and Deeper, Heartbreak City/Love Don’t Live Here Anymore, Like a Virgin, S.E.X./Justify My Love, Living for Love, La Isla Bonita, Dress You Up/Into the Groove/Lucky Star, Like a Prayer, Rebel Heart, Illuminati, Music/Candy Shop, Material Girl, La Vie en Rose, Unapologetic Bitch, Holiday

Merchandise purchased: T-shirt, program

Comments: Madonna brought her latest world tour to the Forum in Inglewood, California for an outrageous spectacular. Touring behind her 13th studio album, “Rebel Heart,” Madonna showed why she is the queen of pop and consistently one of the most exciting live performers working today.MDN65131

Say what you want about Madonna, she knows how to put on a show. She gives you a spectacular that celebrates the new music, while also mining her distinctive and deep song catalog. After 32+ years in the music business, Madonna at 57 years young — still has people talking about her, singing and dancing along to her hits, and marveling at her performances.

Madonna came on around 10:20 PM, after a DJ set by Michael Diamond from 8:15 to 9:30 PM. A video intro played while Samurai warriors marched about the stage with large crosses on poles. The opening song was “Iconic,” which features fighter Mike Tyson and Chance the Rapper (both shown on the video also). Madonna was lowered from the top of the stage in a cage, with her dancing and singing inside of it. Then the cage opened and she interacted with the other dancers on the stage.

The stage was technical marvel again for this production. It had the one main stage, with a large section in the middle that also served as a movable elevated stage. It could be used vertically as a video screen, and at an angle too with dancers moving on and around it. There was a long catwalk into the audience that looked like a cross with a heart on the bottom of it. The catwalk had a circular area that could be elevated as well as various trapdoors too.

For “Bitch I’m Madonna,” Madonna danced with a troupe of geishas on the stage. The crowd loved singing along to that line. “Burning Up” was the first of the Madonna classics for the night. She performed a rocked up version of it while playing electric guitar on the elevated stage in the middle of the catwalk.

The next segment was one of the wildest. Set to the song “Holy Water” which is Madonna’s song about her vaginal juices being like holy water. So we got bikini girls with nun’s habits on stripper poles on the catwalk area. Then in the middle, it cut to “Vogue” with images of Renaissance artwork shown on the video screens. Then it was back to the main stage for the final segment of “Holy Water” complete with a recreation of the Last Supper. And including Madonna pushing a male dancer’s face into her crotch.

While Madonna is changing costumes and preparing for the next segment, we get the video interludes. The first was for the song “Messiah.” It featured a lone shirtless male dancer who danced with a large flying white cloth… which was lifted by the aid of large fans aimed into the air. Images from the “Ghosttown” video were played on the main screen.

For “Body Shop,” Madonna and her dancers did a routine in a mechanic’s garage. She brought back “True Blue” which she hasn’t performed in years — with Madonna accompanying herself on ukulele. Another lost gem was up next “Deeper and Deeper” from 1992’s Erotica album. It was given the full production dance treatment it deserved.

A circular 2-story staircase was lowered to the end of the catwalk. Madonna performed the song “Heartbreak City” as she ascended and descended the staircase, with a male dancer climbing all over it to get to her. It culminates with Madonna tossing the guy off the top of it… and he disappears under the stage. She mixed in her cover of Rose Royce’s “Love Don’t Live Here Anymore” off of the “Like a Virgin” album into this segment also.

“Like a Virgin” was a chance for Madonna to cavort on the catwalk by herself while the crowd sang along to every word.

The next interlude was for the song “S.E.X” with a bit of “Justify My Love” mixed in too. Scenes from Madonna’s Erotica and Justify My Love videos played on the back screen while on the slanted video stage, there were 4 beds with 4 different couples on the beds (3 straight, and one gay male couple). They proceeded to do a sexy routine that had the couples dancing over and grinding each other.

Next up was the Latin-themed segment. She recreated the video for “Living for Love,” with Madonna dressed up as a matador with a long dramatic cape that she had to have 2 people help carry. This was a high-energy remix of the song and not the album version. Madonna fought off her dancers who were dressed as bulls for this dramatic segment.

She re-worked a bunch of her early hits for a segment out on the catwalk. They were given a stripped down sort of Flamenco treatment. Songs included “La Isla Bonita,” “Dress You Up,” “Into the Groove” and “Lucky Star.” With her troupe of dancers in full latin-inspired costumes. “Like a Prayer” was sung next (She had been singing ‘Who’s That Girl” during most of the other tour stops). It is a definitely a crowd favorite, and always is.

The title track from the “Rebel Heart” album was up next. Madonna thanked her fans for their love over the last 32 years. She commented how the Forum was like a second home for her in Los Angeles, since she had performed there many times.

The last and most exciting of the video interludes was next. Seven dancers ascended long poles, and began to rock their bodies back and forth, causing the poles to bend and sway as well. It was set to the song “Illuminati.” Meanwhile on the stage there were more dancers outfitted in dressy tux and tails. Some of the dancers on the stage got lifted off the stage by the guys on the poles. And at times it seemed like the swaying guys were going to either hit the stage or the people in the audience because of the wide angle of the sway action.

The Hollywood segment was the last one before the finale and encore. Madonna was dressed as a sparkling flapper girl. And the troupe was either in tuxs or gowns for this segment. She started with a lounge version of “Music” before it transitioned into the version we know and love. She then mixed in “Candy Shop” from 2008’s Hard Candy album. She loves the song as she has performed it the last 2 times also (and it wasn’t even a single). Madonna did some high-energy dancing during this segment. During this segment there was even a topless girl that was dressed in an outfit inspired by Josephine Baker’s banana skirt outfit.

Another hit from the “Like a Virgin” days was performed next — “Material Girl”. It was done similar to the music video. With Madonna fending off a bunch of suitors. Madonna and the guys were on the upper edge of the slanted stage, and then pushed the guys down as she got rid of them. Then Madonna walked like a bride down the center part of the catwalk. She talked about the 3 rings of marriage: the engagement ring, the wedding ring and the suffering: saying she hasn’t been too lucky in the marriage department.

Taking a well-deserved rest, Madonna next sat down and sang the French song “La Vie en Rose” — a cover of a song by Edith Piaf. Again, it was her and the ukulele.

“Unapologetic Bitch” had Madonna and her dancers doing a routine at the end of the catwalk. They pulled someone from the crowd to be the unapologetic bitch for the night… turns out it was Katy Perry! She danced with M and the dancers and she even spanked her. Plus Madonna made her drink out of a flask shaped like a banana.

“Holiday” served as the finale. It was given a high-energy performance by Madonna and her dancers. Madonna carried a USA flag as a cape for most of this. One of her earliest hits, it remains one of her most enduring and happiest songs.

You could tell that Madonna was having a lot of fun during the show. And so was the crowd.

I was disappointed in that she didn’t do “Ghosttown” off the new album. It is one of my favorites. But she definitely surprised with some of the oldies pulled from her song catalog (Love Don’t Live Here Anymore, True Blue & Deeper and Deeper being the biggest surprises for me).

Thanks to Madonna and her troupe of talented musicians, singers, dancers, and acrobats for an amazing evening. Bring on the next tour for her 60th birthday!

KiltManinSoCal is a Los Angeles-based writer and designer. Be sure to check out the latest T-Shirts for sale here, including Marriage Equality and Real Men Wear Kilts lines. They make great gifts for friends, family and loved ones.

Welcome Back Janet Jackson!

Janet Jackson in Concert
Friday, October 16, 2015
The Forum

Unbreakable World Tour

Songs performed: Burn It Up!, Nasty, Feedback, Miss You Much, Alright, You Want This, Control, What Have You Done for Me Lately, The Pleasure Principle, Escapade, When I Think of You, All for You, All Nite (Don’t Stop), Love Will Never Do (Without You), After You Fall, Again, Come Back to Me, Let’s Wait Awhile, I Get Lonely, Anytime Anyplace, No Sleeep, Got ‘Til It’s Gone, That’s the Way Love Goes, Together Again, The Best Things in Life Are Free, Throb, Black Cat, If, Scream, Rhythm Nation, Shoulda Known Better, Unbreakable

Merchandise purchased: T-shirt

Comments: Janet Jackson made her triumphant return to Los Angeles as part of her Unbreakable World Tour. It’s been 14 years since I last saw Janet on her “All for You” tour. And it has been 7 years since she last released a full studio album — 2008’s “Discipline” and 4 years since the Number Ones Tour in 2011.janet-jackson-unbreakable-tour

As a long-time Janet fan, the last few years and projects have been disappointing for me. After “All for You,” it was all downhill for me. But, with the new “Unbreakable,” she seems to have taken her time and come up with something good again. Plus she has always ruled the concert stage, and now it is selling out all over the world. The promoters keep adding more and more dates.

So what does Janet look and sound like in 2015? Read on for my review:

The concert started about 8:35 PM for an 8:00 show time. There was no opening act other than a DJ who was mixing in some of Janet’s new songs with some of her collaborations with Shaggy, Busta Rhymes and more.

Janet was first shown in silhouette against a white backdrop. She started into “Burn It Up!”, her collaboration with Missy Elliott off the new album. She was dressed in a black body hugging outfit with drop crotch pants and some sparkly sneakers. She was wearing a big necklace and her hair was long in red auburn curls.

From there, it was a non-stop hit party for the next 2 hours. She basically did all of her hits from the “Number Ones” collection minus a few tracks, and added in a few from the new CD too.

Janet was backed by a dance troop of young women who served as her backup dancers for the night. She had 4 backing vocalists and a full band.

The production was more stripped down and simple compared to recent tours I have seen. So no moving stages, or long catwalks, or outrageous costumes, or large scale video screens, lasers, or other special effects. There were some pyrotechnics, and some strobe light effects on the stage, with 2 movable staircases on either side.

Did she need all of that stuff? Not really. When you have the song catalog that she has and are as polished and engaging of a performer as she is, you don’t need added special effects to make the performance.

For me, this show was about Janet reminding us why we loved her to begin with. The emphasis was on the music: her songwriting, her artistry and her unbeatable performances. Her voice was strong and showed no signs of wear and tear. And add in the fact that she was dancing to all her uptempo numbers just like in the old days, and you know you were in the presence of greatness. She is one of the most exciting performers I have seen in my life, and to see her again at this point in her career was awesome.

There were so many great stand-out moments in the concert for me. It was a trip down memory lane for sure. I enjoyed the new songs very much also… and wish she had actually done more from the new album too. The ballad segment during the middle of the show was very nice, and I loved the stripped down version of “I Get Lonely.” And the 1-2-3 punch of “Black Cat,” “If” and “Rhythm Nation” had the whole arena going crazy. She left the stage after those songs, to come back for her encore.

She sang “Shoulda Known Better” from her new album. On the screens were shown images of social injustice. It is a sequel of sorts to the themes talked about on her “Rhythm Nation” project. Jimmy Jam and Terry Lewis (her long-time collaborators) came out after that song, and congratulated Janet on her #1 album and #1 song (“No Sleeep”). Janet thanked her fans for all of their love and support and reminded everyone that her family had been in show business for 50 years now. The final song of the night was the title track off of “Unbreakable.”

Thanks to Janet, the band, and dancers for a fantastic evening. You are a superstar and truly deserve to be in the Rock and Roll Hall of Fame.

KiltManinSoCal is a Los Angeles-based writer and designer. Be sure to check out the latest T-Shirts for sale here, including Marriage Equality and Real Men Wear Kilts lines. They make great gifts for friends, family and loved ones.

NKOTB Still Hangin’ Tough

New Kids on the Block
Saturday, May 9, 2015
The Forum

Special guests: Nelly and TLC

The Main Event Tour

Songs performed: E.I., Where the Party At, Shake Ya Tail Feather/Pimp Juice/Air Force Ones, Country Grammar, Errtime/Dilemma, Just a Dream, Ride Wit Me, Billie Jean, Grillz, Hot in Herre (Nelly); What About Your Friends, Ain’t 2 Proud 2 Beg, Baby Baby Baby, Creep, Diggin’ on You, Unpretty, Red Light Special, No Scrubs, Meant to Be, Waterfalls (TLC); Block Party, Crash, My Favorite Girl, You Got It (The Right Stuff), The Whisper/Single/Shout, Let’s Try It Again, We Own Tonight, Didn’t I Blow You Mind/Valentine Girl/If You Go Away/Please Don’t Go Girl, Remix (I Like the), Summertime, Dirty Dancing, Just a Friend/Good Vibrations/California Love, Tonight, Baby I Believe in You/Give It to You, Sweet Dreams (Are Made of This)/Twisted, I Need You/Lean on Me/Cover Girl, Games, Step by Step, I’ll Be Loving You (Forever), Hangin’ Tough/We Will Rock You (NKOTB)


The New Kids on the Block brought their latest tour to the Los Angeles area last week. This is the 4th major tour since the group got back together in 2008 (by themselves, with Backstreet Boys, with 98 Degrees & Boyz II Men, and this one). This one is being billed as “The Main Event” and features Nelly and TLC as opening acts performing hit after hit as the ad says.New Kids on the Block

So how does a group that has been around for almost 30 years now, keep their audience interested? Up the sexiness, and put on high-energy shows that showcase what seasoned performers they are. You know you are going to have a good time. And the guys work hard to make sure you leave happy.

I first saw this group back in 1989 at the same venue on their Hangin’ Tough tour. This was during their heyday. I remember we saw a matinee performance as they had a performance at night that day too. I had been dating my partner for about 11 months at that point, and he liked them too. Flash forward to today, we are still together and NKOTB are together again (with one openly gay member at that!).

This is the first time that I have seen them perform in the round. There was one major stage in the center that looked like a boxing ring without the ropes, with 2 smaller stages off to each side. There were 4 video screens above the center stage, for optimal viewing from all angles.

A scantily clad female came out holding up a sign that read “Round 1”. First up, was Nelly, the rapper from St. Louis, Missouri. He was joined by 4 booty shaking dancing girls and 2 fellow MCs. Compared to the other 2 acts, I was less familiar with his songs. The crowd was really into his set and sang and danced along. I knew the bigger pop leaning hits like “Where the Party At (w/ Jagged Edge), “Ride Wit Me,” “Just a Dream” and “Hot in Herre.” He didn’t sing “Over and Over” — his duet with Tim McGraw. I was hoping he would do it with NKOTB. His voice seemed a little rough, but his energy pulled him through.

Time for “Round 2”. A man came out and served as the Master of Ceremonies for TLC, the ground breaking R&B, hip-hop act from Atlanta, Georgia. This was the first major tour since the death of Lisa ‘Left Eye’ Lopes in 2002. Their backup dancers carried 3 giant fans, and they spread them out to create a dramatic covering for the singers and dancers as their set started. Tionne ‘T-Boz’ Watkins and Rozonda ‘Chili’ Thomas proved that the show truly does go on. They performed hit after hit — from the opening song “What About Your Friends” to the finale of “Waterfalls.” They were dressed in colorful graffiti-inspired outfits with metallic accents. Left Eye’s vocals played where you expected to hear them, including during “Waterfalls” which was dedicated to her. The words for her rap were shown on the screen for the audience to sing along with. They performed one new song “Meant to Be” from the VH1 movie, as images of the group through the years played on the video screens.

After a short break and a solo video from New Kid Danny Wood’s upcoming solo album, the group was shown on the video screens from backstage explaining that Jonathon Knight would not perform tonight (nothing was said other than he had an accident, but was fine. Turns out he broke his nose falling on the tour bus). Time for Round 3, the Main Event. They even got the famous announcer, Michael Buffer (Let’s Get Ready to Rumble), to appear and give them an introduction. They each came on stage in boxing robes as they took the stage one by one.

The opening song was “Block Party” a bonus song from their 2013 album “10”. The guys were all dressed in black and white. The stage had 10 squares on it which served as moving platforms during the show. So at times, there were 5 rows of 2, and at other times, all 10 squares moved separately. Madonna used something similar during her last tour. There were also elevated platforms on the side stages at the ends. The band was off to the side of one of the smaller stages.

During the costume changes, there were cameras in the dressing room, so we could see our favorite guys as they undressed and changed outfits. It was all very PG despite the warnings that flashed on the screen.

The guys went through some of their hits as the year the song came out flashed on the screen. Joey even commented on “Please Don’t Go Girl.” He said, “I’ve been singing this song for 27 years… 27 fucking years!” And then he lead the audience along saying he would be singing it for 5, 10 or even 27 more years God willing.

Joey, Jordan and Donnie all took solo time in the spotlight. Donnie sang a couple of New Kids songs (I Need You (who knew he could play piano?), Cover Girl, plus some of Lean on Me); Jordan sang “Baby I Believe in You” with his shirt open, combined with his solo hit “Give It to You.” Joey had the most dramatic and showy solo moment, as he danced and sang a mashup of Eurythmics “Sweet Dreams” and NKOTB’s “Twisted” with his shirt off and barefoot. He made full use of all the moving platforms on the stage.

There was plenty of confetti, fireworks, and streamers during the 2.25 hour show. The guys definitely know how to keep the energy up. It was obvious though that some people just came for the opening acts, then left after they were over.

It was good to hear “Games” again… mixed with ‘This is How We Do It” (by Montell Jordan). That was their answer song to their critics back in the day. Joey brought out his young son, and he sang the intro to ‘Tonight” before the guys headed out into the audience for the song as they have done on previous tours. I was lucky enough to hi-five a few of them on “The Block” tour.

“Hangin’ Tough” closed out the evening. Jonathon Knight even came out at the end and took bows with the rest of the guys. It was a fitting close to “The Main Event.”

Thanks to all for another fun concert. See you on the next tour.

KiltManinSoCal is a Los Angeles-based writer and designer. Be sure to check out the latest T-Shirts for sale here, including Marriage Equality and Real Men Wear Kilts lines. They make great gifts for friends, family and loved ones.

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